{"id":1567,"date":"2025-09-08T19:15:35","date_gmt":"2025-09-08T17:15:35","guid":{"rendered":"https:\/\/benjamin-husson.com\/?page_id=1567"},"modified":"2025-09-16T10:07:32","modified_gmt":"2025-09-16T08:07:32","slug":"experience-professionnelle","status":"publish","type":"page","link":"https:\/\/benjamin-husson.com\/index.php\/experience-professionnelle\/","title":{"rendered":"Experience Professionnelle"},"content":{"rendered":"\t\t
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HUSSON BENJAMIN<\/strong><\/h2>

68, Rue Cartier Bresson
93500 PANTIN – FRANCE<\/p>

Fran\u00e7ais
37 ans, n\u00e9 le 03 Mai 1988
Taille: 185 cm<\/p>

Danseur
Com\u00e9dien
Professeur de danse classique diplom\u00e9 d’Etat<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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EXPERIENCE PROFESSIONNELLE :<\/u><\/h3>

Chor\u00e9graphies:<\/strong><\/h3>

Ballet Hommes Fatals
B suites
Symphony N\u00b03
22 h 47
Carpe diem<\/em> par Fraser Roach assistant chor\u00e9graphe<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Mises en sc\u00e8nes :<\/strong><\/h3>

Dans la solitude des champs de cotton <\/em>de Bernard-Marie Kolt\u00e8s (avec Sophie Knitll-Ottinger)
Usages du monde <\/em>de baronne Staffe (avec Sophie Knitll-Ottinger)<\/h4>

Nombreux travaux avec le lyc\u00e9e fran\u00e7ais de Prague, d\u00e9partement dramatique.<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2025 Professeur invit\u00e9 au ballet Preljocaj<\/h4>

Collaboration pour la danse et les mouvements de jeu \u00ab\u00a0Fen\u00eatre sur mer\u00a0\u00bb (th\u00e9atre Anis-Gras)<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Contrat avec le Narodni Divadlo\/Statni Opera \u2013 Prague<\/strong><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2011\/2024<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Don Quixote<\/em> par J.Slavick\u00fd, K.Slavick\u00e1, H.Vl\u00e1\u010dilov\u00e1(\u00abGypsy king\u00bb)
Swan Lake<\/em> par Pavel \u010eumbala, Hana Vl\u00e1\u010dilov\u00e1 (\u00abPas de trois\u00bb)
Sleeping Beauty <\/em>par\u00a0Javier Torres (\u00abCats\u00bb)
Themes and variations <\/em>de George Balanchine
Romeo and Juliet<\/em> par Petr Zuska
The Nutcracker \u2013 A Christmas Carol par<\/em>\u00a0Youri V\u00e1mos
C<\/em>inderella pae<\/em>\u00a0Pavel \u010eumbala
Sleeping Beauty the last daughter of the czar<\/em> par Youri V\u00e1mos (\u00abCats\u00bb)
Giselle<\/em> par Hana Vl\u00e1\u010dilov\u00e1 (\u00abPeasant\u00bb)
Decadance <\/em>par\u00a0Ohad Naharin
Dance Gala<\/em> – Danse ( Indian La Bayad\u00e8re)
The Nutcracker <\/em>par\u00a0Peter.Zuzka\u00a0
The Snow Queen <\/em>par\u00a0Michael Corder (The sprites)
Vertigo<\/em> par Mauro Bigonzetti
La Fille mal gard\u00e9e<\/em> par Frederik (M\u00e8re Simone)
Bridges of Time<\/em> par Jiri Kyli\u00e1n (Symphonie des Psaumes, Six Dances)
\u00a0L\u00e9once & L\u00e9na<\/em> par Christian Spuck
\u00a0bpm<\/em> par Yemi A.D. (Bohemian Gravity)
\u00a0Forsythe \/ Clug \/ McGregor (The Second Detail)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Contrat avec l’Op\u00e9ra National de Paris<\/strong><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2007\/2010<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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La petite danseuse de Degas\u00a0 <\/em>de et par P.Bart
La Bayad\u00e8re<\/em>\u00a0 de\u00a0R.Noureev
Cendrillon<\/em>\u00a0de R.Noureev
La fille mal gard\u00e9e <\/em>de F.Ashton
Ballets russes (Le tricorne <\/em>de L.Massine – Petrouchka\u00a0 <\/em>de M.Fokine)
3\u00e8me<\/sup> symphonie de Gustav Mahler<\/em> de et part John Neumeier
Proust ou les intermittences du c\u0153ur<\/em> de Roland Petit
\u00a0Artifact Suite<\/em> de W.Forsythe
Gis\u00e8le <\/em>de M.Petipa
Raymonda <\/em>de R.Noureev
Paquita <\/em>par P.Lacotte ( \u00abLes gitans \u2013 Les paysans \u2013 Les officiers \u00bb)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Contrat avec Europa Danse<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2007<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Picasso et la Danse : Parade <\/em>de L.Massine (\u00ab Le magicien chinois \u00bb )
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>Mercure de<\/em>\u00a0T. Malandain – Pulcinella <\/em>de A.M. Stekelman<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a0<\/em><\/p>

Contrat avec le th\u00e9\u00e2tre Alla Scala – Milan<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2006\/2007<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Sleeping beauty<\/em> de R.Noureev
La Dame aux cam\u00e9lias <\/em>de J.Neumeier
A\u00efda <\/em>de G. Verdi. Production F. Zeffirelli, choregraphie V. Vassiliev
The Nutcracker de<\/em>\u00a0Rudolf Noureev<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Contrat avec l’Op\u00e9ra National de Bordeaux<\/strong><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2006<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Picasso program <\/em>au the Theatre of Liceu (Barcelona)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Performances avec l’\u00e9cole de l’Op\u00e9ra National de Paris<\/strong><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2003\/2006<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Divertimento No.15 <\/em>\u00a0de George Balanchine ( \u00ab principal \u00bb)
Apollon in Entre deux rondes <\/em>de Serge Lifar (rehearsals)
Le Tombeau de Couperin <\/em>de\u00a0G. Balanchine \u2013 \u00a0The two pigeons <\/em>de Albert Aveline
Movements <\/em>de\u00a0Claude Bessy<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Performances avec le Conservatoire Regional de Paris (CNR<\/strong>)<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2000-2001<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Cinderella<\/em> de Liane Dayd\u00e9 – Jeux d\u2019enfants<\/em> de Jean Guizerix<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Participation \u00e0 une performance du Ballet\u00a0de l’Op\u00e9ra national du Capitole de Toulouse,<\/strong><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1998<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The<\/em> Nutcracker <\/em>de Michel Rahn ( \u00ab Les enfants\u00bb)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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FORMATION<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2001-2006
2001-2007
2000-2002
1999-2001<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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El\u00e8ve \u00e0 l’\u00e9cole de l’Op\u00e9ra National de Paris
<\/strong>Classes et entrainement avec Madame Jacqueline Fynaer
Classes avec Monsieur Max Bozzoni
El\u00e8ve au Conservatoire R\u00e9gional de Paris (CNR)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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DIPLOMES<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2006
2005<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Baccalaur\u00e9at litt\u00e9raire
Cr\u00e9dits pour des cours en histoire de la danse, musique, anatomie<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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LANGAGES PARLES<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Anglais courant – Des comp\u00e9tences en espagnol, italien et tch\u00e8que<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

HUSSON BENJAMIN 68, Rue Cartier Bresson93500 PANTIN – FRANCE Fran\u00e7ais37 ans, n\u00e9 le 03 Mai 1988Taille: 185 cm DanseurCom\u00e9dienProfesseur de danse classique diplom\u00e9 d’Etat EXPERIENCE PROFESSIONNELLE : Chor\u00e9graphies: Ballet Hommes FatalsB suites Symphony N\u00b03 22 h 47 Carpe diem par Fraser Roach assistant chor\u00e9graphe Mises en sc\u00e8nes : Dans la solitude des champs de cotton […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-1567","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/benjamin-husson.com\/index.php\/wp-json\/wp\/v2\/pages\/1567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/benjamin-husson.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/benjamin-husson.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/benjamin-husson.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/benjamin-husson.com\/index.php\/wp-json\/wp\/v2\/comments?post=1567"}],"version-history":[{"count":73,"href":"https:\/\/benjamin-husson.com\/index.php\/wp-json\/wp\/v2\/pages\/1567\/revisions"}],"predecessor-version":[{"id":1674,"href":"https:\/\/benjamin-husson.com\/index.php\/wp-json\/wp\/v2\/pages\/1567\/revisions\/1674"}],"wp:attachment":[{"href":"https:\/\/benjamin-husson.com\/index.php\/wp-json\/wp\/v2\/media?parent=1567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}